Tuesday, July 27, 2010
succès d'estime
what defines success... well... as i am about to go into school and enter the area at least of the epicenter of the industry of the west i figure it is the best time to start this. i shall speculate on what appears to me to be on some level absurd or amusing. in fact i shall ramble and you might read, i doubt it... but who cares. im just writing. emotional release perhaps. what defines success? i am looking in on the industry from the perspective of not only a nobody but a nobody who knows nothing about it from the inside. so i guess im saying... i should start this now before i actually learn anything. i view myself as a filmmaker, philosophically... but maybe in the future i will be one literally. so as of now, this is merely the noobs conceptual perspective on what he loves but does not know. and hopes to find if that love will turn sour as he begins to actually acquaint himself with it.
a film should speak for itself, but it is still entertaining to go behind the scenes and find out where it doesnt speak or where you dont listen (depending on your ego). i tend to enjoy the experience and the discovery of a story. but there is great confusion over whether story should dominate or whether audience appeal should dominate how the story is written and told. perhaps i should say that there was confusion. now the majority of directors have decided that success is numbers. and there maybe some joy in the process but that is the extent of a movie's success.
there are however those 'happy few' who strive for a higher level of storytelling. those who understand that money is necessary to live and to pay your cast, crew and other such associates but also realize that does not necessarily define success. now my argument is that success is relative to your vision. success being... the accomplishment of an aim or purpose. yes? so every director will judge his/her success on a different level than the thousands or few reporters who analyze his/her work. a filmmaker has vision and the success if the final product should be judged according to that vision. michael bay's transformers was obviously a success based on his obvious intentions. i need say no more. guillermo del toro's lower budget feature Devil's Backbone was a success based on his intentions but probly very few are familiar with the title. there is nothing wrong with raw entertainment or with huge explosions that could very well have possibly killed megan fox or the better looking optimus prime... but... that doesnt mean that there is no place for a variance of direction (in directing).
judging success on such specific terms is not accurate to the definition of success and i HATE it when words are abused on such a massive scale. (my blog hurts the eyes, doesnt it?). when you attack something, you need to attack it on its own terms. Success is a goal met, a goal completed. though this logic may make sense, some will say that since it is all so relative how can you judge the quality of a
director. how can you truly know his intentions for a film? that is a good point. but maybe success is the wrong word to use? if you want to judge a director on his ability as a story teller perhaps you might judge him on his critical acclaim? or if you would like to judge him on his ability to sell a movie, base it on his income? the point is... success is not what everyone thinks it is. now others will argue that the dictionary definition of success is also attaining popularity and profit. and this is true. but once again, success is relative to the standard on which you judge the subject. so there is no reason that gross income should be the only standard for success in cinema.
success should also be judged on the quality of the story. story will truly never die, the question is will it remain an afterthought to the average viewer. will ppl begin to realize that the true success of a feature film does not always rest in the digits, or the dollar signs. to paraphrase what i once read, story is a marvelous thing, hollywood is story as prostitution. but for realz... sometimes prostitution is really fun no matter how cheap it makes you feel (have you seen the prices for 3d these days?). its just pretty right? you give them money, they make your eyes happy. but it should never replace the real beautiful and original concept of story. maybe that doesnt raelly make sense but i think the point goes across. im not tryin to sound edgy, and i dont think hollywood is in any way committing anything as volatile as prostitution but it sorta does transfer. its all about instant gratification and no afterthought, no greater sense of walking away and feeling moved, feeling touched, inspired... a mainstream appeal feature will give as many ppl as it can as much of what they want which makes it so that the story itself retains no form or direction... people pleasing is for the weak of heart who lack resolve.
let the world judge as she may, i am not her's to enslave. and when i do submit myself to the authority of the majority of the audience i make a compromise. i have no freedom in my storytelling. writing on the basis of emotional appeal is in so many cases suicide. i have gotten quite side tracked here but i guess these are ramblings... do you ever watch a movie and know what you're supposed to be feeling but dont? thats what happens when writers present a 50 pg attempt at appealing to your emotions instead of writing for the sake of good story that isnt based on theories of whether 35 year old males will be too depresssed to take a romantic comedy seriously.
you define success. rember, im just a noob ;)
Taylor J. Gates (iguessyou already knew that)
Sunday, February 22, 2009
Monday, January 19, 2009
Four Score and Seven
Monday, December 15, 2008
The Ultimate Affair
The Ultimate Affair: Humanity and Sin
With eyes of piercing darkness
And teeth stained crimson red
Her clenched claws wield the weapon
That renders man now dead
She said that she would love him
She would be his to hold
But now that she has stabbed him
His heart is frozen cold
His happiness is done
And now she turns her back
She doesn’t want his love
‘Cause her heart is deathly black
Seducing him with words
He trusted in a theft
And now that she is gone
For man there’s nothing left
She’ll haunt him to the end
And though the end has come
She’ll live on in his mind
‘Till insanity has won
She always was a slut
She never stuck with one
She moved from man to man
And he was only one
He didn’t know her heart
He didn’t know her vice
He didn’t know that she
Would sell for higher price
He offered her himself
Upon her love he fed
But what he didn’t see
Was that she’d drop him dead
The player played the played
And judgment didn’t show
Sinner turned to winner
The righteous left to crow
She didn’t love his heart
But just to touch his skin
Thus ending the affair
A Twix humanity and sin
the Final Trial
The Final Trial
Betrothed to Satan’s daughter
Whose maiden name is lust
Mankind awaits its slaughter
Its beauty turned to dust
Slaves to sinful pleasure
And servants of deceit
Man’s self control will measure
The judgment that he meet
Pride consumes the hearts
That used to be so true
Tearing friends apart
All that’s left is you
The end is coming quickly
It’s ever drawing near
So stand and don’t you waver
For courage lacks all fear
You know that you must stand
And face it to the end
For then you’ll see Him say
“Well done my faithful friend”
This is the final test
There is no 2nd go
If Hades you can best
Then heaven you will know
Standing at hell gates
This way you’ve never felt
Drained of all emotion
You watch your baby melt
Devastation hits you
Your lover’s in the fire
He cannot feel your warmth
Because the heat cannot go higher
You turn from him and see
Your brother, he is screaming
His flesh is falling from his bones
And for him there’s no redeeming
You scream unto the heavens
“Oh God why have you done this?”
His voice it shakes the floor
“Who betrayed me with kiss?”
“My son, don’t feel guilt
Just please don’t fall down
‘Cause this time there’s winners
Who will bear my crown
Don’t falter my son
Don’t die by the flame
This time I can’t save you
You’ll take your own blame
This time you must choose
Once and for all
Sin you must lose
Or succumb to the fall”
You stand up and scream
At all those around you
“Betrayers, deceivers
May you all burn through
He bent over back wards
Gave you every breathe
But you spit in his face
And now hell brings you death
He forgave all your sins
He helped you with hurt
But you only ignored him
And now here you burn
He loved you so much
He offered you freedom
But in return for his kindness
You ruthlessly beat him”
You turn from their cries
You’ve no more to say
But the king you despise
He stands in your way
His smile is rotting
And you draw your sword
Deflecting your blow
He calls on the horde
Surrounding you now
They thrash and they bite
Bloody and sore
You stand up and fight
Demons they fall
By the hand of your blade
The bodies they pile
And victor is made
You grab hold his scepter
And snap it in two
Then open the gate
And venture on through
There stands your father
He’s smiling proud
And as you embrace him
New peace you have found
Sunday, October 26, 2008
Gradual Forthcomings
stay unbroken
plow with purpose
nurse the choking
fall no further
come unbury
all your sinful
sanctuary
stumble standing
hold thee ready
rise up and firm
walk on steady
leave not the path
relight the fire
seek out the truth
never retire
find wisdom true
hear donkeys call
discover dreams
and let dreams fall
just set the pace
he'll pave the path
you be the pen
he'll do the math
believe in hope
do not define
let go of self
and snap pride's spine
breed no contempt
but that of sin
cut out your wrongs
or cut your shins
this painful walk
conceives this war
'tween fans of flesh
and sons of more
fractured families
trying to say
that they're the one
the only way
Saturday, October 25, 2008
The Martyrs Forest
bring to my heart it's beating and bleeding
dented and searching a lost hollow tin
pulsating lifeless orb of no meaning
a rotting assumption with out defense
cruelly taunted and shattered again
casualty watching fatality's tempts
knees with out skin to count the falls taken
sleeping in trees and walking in grass
where branches are burning and blades are such
a place where the dead are those who run fast
the living are slow and cold to the touch
from act of stabbing self most would recoil
but truth knows i'll burn with out blood to boil